https://youtu.be/QW2zwr6txdo
Terms
Terms
- Loom: A loom is the structure that you use to give your weave support and tension as you work. Once your weave is complete, you will cut it off the loom and your weave will have it’s own structure. Looms can vary largely in shape and size. From the extremely large floor model looms down to small handheld looms. The looms that I work with are frame looms, which means their structure is a very simple frame shaped like a square or rectangle. There are also circular looms that allow the user to weave in a circle.
- Warp thread: This is the thread that is strung over the loom vertically, and holds the tension while you weave.
- Weft thread: This is the thread that you weave between the warp threads, creating your patterns and structure in the weave.
- Shed: This is the separation of the warp threads that creates upper and lower warp sets that you pass the weft thread through. Creating a shed between your warp threads speeds up your weaving. When using a frame loom, a shed stick can be woven between the warp threads then turned on it’s side to create the shed between the warp threads. Some frame looms come with a rotating heddle to create the shed.
- A selvage In woven fabric, selvages are the edges that run parallel to the warp (the longitudinal threads that run the entire length of the fabric), and are created by the weft thread looping back at the end of each row. In knitted fabrics, selvages are the unfinished yet structurally sound edges that were neither cast on nor bound off.[3][4] Historically, the term selvage applied only to loom woven fabric, though now can be applied to flat-knitted fabric. The terms selvage and selvedge are a corruption of "self-edge", and have been in use since the 16th century.[5
10WarmUP: Schoology
Due Dates: DP 11
DP11: 9/23 (5 slides ibmyp10 to DP)
DP11: 9/30 (9 project)
DP11: 10/2 9 project critique: Critique Drop Box
(image of all 9 pieces together and individual images of all 9 pieces)
DP11: 10/2 (9 project process page)
DP11: 11/4 (10 process pages) artist research, process page, mind map, gallery critique
DP11: 11/10 (3-Projects)
Art 21: Artist
Due Dates: DP12
DP12: 9/25 (new layout/outline for final comparative study)
DP12; 10/12 (MindMap: 1 for each artwork in your comparative study)
DP12: 11/4 (4 projects for MP1)(can be comparative study related) Rubric for Exhibition
DP12 11/9 (Comparative Study-3 slides for each artwork finished)
DP12 11/9 (Comparative Study-Work Cited Slide)
DP12 10/26 (your strongest 20 slides) (Requirement is 13-25)
https://drive.google.com/file/d/1uhKfJn0pF6NmnxlFFdh4Wrep8k2V7hAX/view?usp=sharing
Due Dates: DP 11
DP11: 9/23 (5 slides ibmyp10 to DP)
DP11: 9/30 (9 project)
DP11: 10/2 9 project critique: Critique Drop Box
(image of all 9 pieces together and individual images of all 9 pieces)
DP11: 10/2 (9 project process page)
DP11: 11/4 (10 process pages) artist research, process page, mind map, gallery critique
DP11: 11/10 (3-Projects)
Art 21: Artist
Due Dates: DP12
DP12: 9/25 (new layout/outline for final comparative study)
DP12; 10/12 (MindMap: 1 for each artwork in your comparative study)
DP12: 11/4 (4 projects for MP1)(can be comparative study related) Rubric for Exhibition
DP12 11/9 (Comparative Study-3 slides for each artwork finished)
DP12 11/9 (Comparative Study-Work Cited Slide)
DP12 10/26 (your strongest 20 slides) (Requirement is 13-25)
https://drive.google.com/file/d/1uhKfJn0pF6NmnxlFFdh4Wrep8k2V7hAX/view?usp=sharing
dp_hl_sl.docx |